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Released in 1975, it was initially considered a commercial failure, but word of mouth drew an audience and it went on to become one of the biggest blockbusters in Bollywood history, running for 286 weeks in Mumbai.
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Do you think remakes are a good way to introduce new generation to timeless classics? Or do you feel classics should remain untouched? Share your views with us.Īlso, if you feel we have missed a few classics in that list, feel free to share.One of the all-time great cult Bollywood action flicks is Sholay, known in English as Embers, Flames or Flames of the Sun. If you watch Hindi movies, you certainly have an opinion to share on this issue. They look like they are dedicated to the oldies in age, but be under no illusion, they are there to commercialize a specific kind of investment, like old Hindi film channels- nostalgia which all of us suffer with at some point, old or young.”
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She says, “Most of these remakes have a targeted niche audience that comes from the generation of the particular movie but they are also aiming to create a market for nostalgia. Hard core money makers are reproducing the old hits, just to make money."Īnubha Anushree, a Delhi University professor feels it is all about money. Avinash says, "Remakes basically represent a lack of innovative story tellers. For him, attempting to recreate the magic of a legendary film is an insult to the classics. Avinash says that remakes are a straight insult to the classic. If the treatment is good enough, remakes are not a bad idea, Khan concludes.Īvinash Kumar Singh, lawyer and partner at a law firm, however, feels quite differently. He further says that filmmakers remaking an old classic may not always be a lack of ideas. Sharique Khan, a reporter with NDTV, feels that remakes should not always be judged.
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Baijal says, "There are certain films that are so deeply etched in our minds that using the name, first increases expectations, and then when the depiction (creative license included) does not do justice to the core of the already legendary film, as an audience one feels thwarted and cheated. Saumya Baijal, co-founder, Aatish (NGO/Theatre Group), feels that remakes of classics should only be done if certain amount of value can be added to the original storyline, film craft or the narrative. We also sought the opinions of some independent viewers and here's what they said: "If you don't have a compelling reason, outside the fact that you don't have story to tell, then it is just plagiarism," says Shekhar. Rendering better use of technology to the original is where the filmmaker's creativity comes in, he adds. The film also embodied the Indian culture of self-sacrifice.įilm critic Mayank Shekhar also believes that a remake should intend at telling the story with new twists and interpretations. Mother India, was a revolutionary film in its own right, enabling the woman protagonist to take the rebellious step of going against her own son and killing him. Little would have any of them known that they were in the process of making a cult film for their country.
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Mehboob Khan made Mother India with actors like Nargis and Sunil Dutt in 1957. Here, we list top 20 movies of Bollywood that should simply remain untouched. Good or bad, we believe not every movie can be remade. For a lot of people, that was the case with Chashme Baddoor, David Dhawan's remake." The critic further says, "If the idea is to lift the storyline and not capture the spirit of the classic, then the battle is pretty much lost. Bollywood critic Mayank Shekhar says that remakes are not really a bad idea if the intentions are right. But there have been too many remakes recently that have received flak from film critics. Remaking may not be a new idea in Bollywood. We agree, Vidya! Classics are not meant for remakes. Balan said, "I don't think anybody would even dare to remake Mother India and if someone does then I will salute him, but I will not do it. After Vidya Balan's remark on Mother India, the debate about remakes is the talk of the town.